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Cameron Sharpe Ijango Signup

http://www.registerijango.com

IJANGO IS STRONG - this cutting edge offering from Steve Smith and Cameron Sharpe.
IiJango is in the pre-launch phase and there are some serious benefits to getting started now.

iJango is a customizable personal web portal and home page that pays to surf through. Anything on the internet can be accessed from the iJango home page plus there is money to be made.

Income is generated through purchases made through the portal as well as advertising revenues generated by surfing through the site and retailers paying commissions. Distributers give away the iJango portal and get paid for any purchases made through the iJango portal. Cool concept.

http://www.registerijango.com

Steve Smith, co founder of EXCEL communications is in charge of this network marketing opportunity. He is famous for bringing excel to a 1.5 billion dollar business. While other company’s decide to hire a lot of sales people and pay for expensive advertising to get their revenues Steve decide that networking was the way to go. And was he ever right. Excel became the youngest company to join the New York Stock Exchange. Excel also was the fastest company to billion in sales in American business history. Steve Smith had 1.5 million associates in his downline. That is an amazing number.

http://www.registerijango.com

cameron sharpe bio


After a four year break, British singer-songwriter David Gray is set to return September 22 with "Draw The Line," his first set of all new songs since 2005's "Life In Slow Motion." While the final track list is still being finalized, fans can expect at least eleven new songs and guest vocal turns by Annie Lennox and Brooklyn based singer-songwriter Jolie Holland. A twelfth song, tentatively entitled "Indeed I Will," is also under consideration. This will be Gray's first release on Mercer Street Records, the sister label of Downtown Records.

Aside from a new label, Gray says "Draw The Line" is marked by a handful of other necessary changes he found himself needing creatively - in particular, a new band. Joining him is Keith Prior on drums, Robbie Malone on bass and Neill MacColl on guitars. "I've known for some time I've needed a change; a need for a challenge," Gray tells Billboard.com. "My appetite for everything was undiminished. But I needed to find new people and make a fresh start. It's very easy to get jaded and I wanted some new blood and new ideas."

"Draw The Line" was written and recorded while Gray was without a record label, something that he also says worked to his advantage. "Just like with "White Ladder," which was a different set of circumstances, this one I made out of contract. Every little tiny detail, I feel strong about it all. I feel completely bulletproof with this. I think it shines the light on facets of me as a performer, a writer and a singer that I haven't perhaps illuminated as brightly enough for a long time."

"This has been a phenomenally creative period for me," he adds. "I've produced a huge amount of material and this is just one lot of it."

Gray is very fond of his guest vocalists, too. Regarding Annie Lennox, he says she "absolutely transformed the track," the album's closer "Full Steam Ahead." Holland performs on "Kathleen," one of the quieter tunes on the set. "It's got some charm to it, that one," he says. "It's just held its own amongst these bigger numbers. Holland's vocals just lifts the song out. She's a star; she's a rare thing."

Gray will return stateside this fall in support of "Draw the Line." The lead single will be the album's opener, "Fugitive."

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Here's the thing about Chris Daughtry: He is an exceedingly regular guy (aside from his Lex Luthor dome and Pharaoh-with-a-Norelco facial hair). This is particularly noteworthy considering that his band's 2006 self-titled album is the fastest-selling rock debut in SoundScan history, moving more than 5 million units, birthing seven singles and staying lodged in the top half of the Billboard 200 for more than two years.

This is the kind of success that usually changes dudes, adds pages to their riders and members to their entourages. It turns them into Rock Stars. Chris Daughtry is different, though. He most certainly isn't a Rock Star.

I mean, of course, he is, but he still goes out of his way to maintain his blue-collar, hard-workin' everydude persona. He makes it a point of mentioning that he is just the lead singer of a band, a democracy in which everyone writes riffs, records tracks, tours hard and shares the bounty. He just happens to be the focal point, though he is no more important than, say, drummer Joey Barnes, whose name I just had to look up.

This is all very admirable, but it's also part of the key to his success. And Daughtry the everyman is back with a new album, Leave This Town, due July 14, which is bound to dominate the charts. And to begin that conquest, he's released the video for the first single, "No Surprise," and it's definitely the most everydude thing he's ever done.

It opens in a nondescript factory in some nondescript — though very dusty — town, with Chris and the boys rocking out and whoa-oh-oh-ing into the wide-open spaces. A battered old pickup rolls into frame, and from it emerges a good-looking (yet clearly down-on-his-luck) blue-collar worker (we know this because he carries a battered rucksack and displays several pensive looks). He's looking for work, but alas, the foreman tells him there's none to be had here. Daughtry himself drives by in a red Mustang convertible and witnesses the whole thing, and we know he is upset and concerned because he shoots that very look to the camera. He feels your pain.

Cut to a nondescript diner in (the same) nondescript-yet-dusty-town, where a good-looking (yet clearly down-on-her-luck) young waitress is being yelled at by her mean old boss. She is having a bad day, one that gets even worse when she dumps a soda on a horrified customer (not her fault, she got bumped!) and you know what happens next: She's canned by the boss, and tosses her apron on the floor in disgust, while two of the other dudes in Daughtry look on sullenly. They feel your pain too.

As it turns out, the good-looking guy and gal are a couple, and they're having money problems (one would think they could always go into modeling ... I've heard it pays pretty well), which leads to bickering. They go to bed angry, and the next morning, she wakes up and he's gone. She heads out looking for him (in cut-offs, since, you know, she's the salt of the earth), and this is where the video and the song merge: "No Surprise" is a classic breaking-up-is-hard-to-do tune, the kind a million guys and gals separated by time or space or the open road or the military have experienced a million times before, and it ends the way these things usually do: messily, but for the best. Sure it might hurt now, Daughty wants you to know, but we both know that the split was for the best. Perhaps this couple are heading down that path. Maybe they're already there.

We get no answers, though. The clip ends with the couple sitting on either side of a rock, overlooking that very dusty (and, it would seem, utterly hopeless) town. They both look pensive and scared. Probably because they should be. And Daughtry and his boys provide no solutions, either to their economic woes or their relationship troubles, because, well, they don't have them. No one does. In matters of love and finance, Chris Daughtry is still the ultimate everydude, and he doesn't know how to make things work either. Well played, sir.

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go ijango:
Rap rules in the U.K. charts again, after Sunday's new sales figures confirmed a second week at No. 1 for both the single "Bonkers" (Dirtee Stank) by Dizzee Rascal featuring Armand Van Helden and Enimem's "Relapse" album (Interscope/Universal).

Eminem's second week at the top came despite a strong debut by the self-titled first album by electronic female string quartet Escala. The group featured in the second series of ITV's "Britain's Got Talent" in May last year and then performed as guests on the second semi-final of the third series May 25. The album was produced by Trevor Horn.

Pink, who held at No. 9 with "Funhouse" (LaFace/Sony Music Entertainment), which is double platinum for 600,000 shipments, now holds two positions the top ten, effectively covering her entire studio album output. A 4-CD box of her four previous titles, "Can't Take Me Home"/"Missundazstood"/"Try This"/"I'm Not Dead," which is selling for ¬L12.99 ($21.25) at high street retailer HMV, appeared at No. 7. The singer is now on the Australian leg of her "Funhouse" world tour.

Veteran British rock act Simple Minds returned to the U.K. top ten with their 16th studio album "Graffiti Soul" (Sanctuary/UMRL). It hit No. 10 to become their highest-charting release since "Good News From The Next World" reached No. 2 in 1995.

Dizzee Rascal's singles chart reign continued as the Black Eyed Peas' former No. 1 "Boom Boom Pow" (Interscope/Universal) spent a second week at No. 2. Swedish singer Agnes opened at No. 3 with the dance crossover "Release Me" (3 Beat), the first Europe-wide single by the former winner of Sweden's version of "Pop Idol."

"Kiss Me Thru The Phone" (Interscope/Universal) by Soulja Boy featuring Sammie climbed 8-6 on the new singles survey, while Australian act the Veronicas debuted at No. 8 with "Untouched" (Sire/Warner Music), which hit No. 2 in their home country before reaching No. 17 on the Billboard Hot 100. It's certified platinum in the U.S. for one million paid downloads.

"Knock You Down" (Polydor/Universal) by Keri Hilson featuring Kanye West and Ne-Yo climbed 24-12 on the new U.K. list, while Little Boots, aka British electropop musician Victoria Hesketh, scored a first hit single at No. 13 with "New In Town" (sixsevenine/Warner Music). Flo-Rida's "Suga" (Atlantic/Warner Music) climbed 28-19.

Green Day's "21st Century Breakdown" (Reprise/Warner Music) ascended 2-1 in its second week on Billboard's European Top 100 Albums chart, as Lady Gaga's "Poker Face" (Interscope/Universal) notched an epic 14th consecutive week atop Eurochart Hot 100 Singles.

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